BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Orillia Museum of Art and History - ECPv6.15.15//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://www.orilliamuseum.org X-WR-CALDESC:Events for Orillia Museum of Art and History REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Toronto BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20230312T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20231105T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20240310T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20241103T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20250309T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20251102T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20260308T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20261101T060000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/Toronto:20241006T110000 DTEND;TZID=America/Toronto:20250913T160000 DTSTAMP:20260416T174618 CREATED:20240912T173141Z LAST-MODIFIED:20250916T143345Z UID:10000507-1728212400-1757779200@www.orilliamuseum.org SUMMARY:ORILLIA: THEN & NOW DESCRIPTION:October 6 – September 13\, 2025 \n \n \n \n \n \n Orillia: then & now\n  \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Places stay the same\, but buildings come and go. Showcasing photographs of iconic places in Orillia as they once were while contrasting with current photographs by Samantha Vessios\, puts history into context. History is all around us and exists within our everyday lives. We need to remember our history through our stories and preservation of objects and historic buildings. Learn about iconic places as they were “then” and what they are “now.” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n OTHER EXHIBITIONS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n AllExhibition CurrentExhibition PastExhibition Upcoming\n\n \n \n \n \n \n \n Icons & Alter Egos: Heroes\, Villains\, and Everything In-BetweenExhibition Upcoming \n \n \n \n \n \n Media Arts ShowcaseExhibition Past \n \n \n \n \n \n From Hand to Heirloom: The Art of CraftExhibition Upcoming \n \n \n \n \n \n Face to FaceExhibition Current \n \n \n \n \n \n 29th Annual International Women’s Day Art ShowExhibition Current \n \n \n \n \n \n Made in OrilliaExhibition Current \n \n \n \n \n \n Tradition TransformedExhibition Past \n \n \n \n \n \n Yours to Uncover: An Ontario Road Trip | Peter Fyfe and John NottenExhibition Past \n \n \n \n \n \n John Gould: Travels of the Mind and BodyExhibition Past \n \n \n \n \n \n Voices Through Time: A Mariposa JourneyExhibition Past \n \n \n \n \n \n Tracing Places: Advertising in OrilliaExhibition Past \n \n \n \n \n \n Orillia: Then & NowExhibition Past \n \n \n \n \n \n 28th Annual International Women’s Day Art ShowExhibition Past \n \n \n \n \n \n ORILLIA LANDSCAPESExhibition Past \n \n \n \n \n \n THE SEVEN GRANDFATHER TEACHINGS: AT THE ORILLIA RECREATION CENTREExhibition Past \n \n \n \n \n \n A Collection-Inspired Exhibition: Four Seasons in OrilliaExhibition Past \n \n \n \n \n \n Gordon Lightfoot: Turning Back the PagesExhibition Current \n \n \n \n \n \n Perspectives Through Their EyesExhibition Past \n \n \n \n \n \n Heritage in Hues: Orillia’s Story Through TextilesExhibition Past \n \n \n \n \n \n Loup Garou & Mocassins | Nathalie BertinExhibition Past \n \n \n \n \n \n Behold a Man Who is a Bean | Harley DuckExhibition Past \n \n \n \n \n \n TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n OWL PEN REVISITED | GILLIAN LOWRYExhibition Past \n \n \n \n \n \n TEACHERS AND THEIR ENDURING IMPACT | JOSE SALASExhibition Past \n \n \n \n \n \n INCLUSION: AT THE STACK GALLERYExhibition Past \n \n \n \n \n \n EVERYONE HAS A STORY: TALES OF A COMMUNITYExhibition Current \n \n \n \n \n \n THE PROCESS INFORMS ME | JEANETTE LUCHESEExhibition Past \n \n \n \n \n \n PAWTRAITSExhibition Past \n \n \n \n \n \n REFLECTIONS OF OUR ROOTSExhibition Past \n \n \n \n \n \n BACKRA BLUID | STACEY TYRELLExhibition Past \n \n \n \n \n \n THE TEENAGE ZEITGEIST: At the Stack GalleryExhibition Past \n \n \n \n \n \n SYBILExhibition Past \n \n \n \n \n \n 27TH ANNUAL WOMEN’S DAY INTERNATIONAL ART SHOWExhibition Past \n \n \n \n \n \n REGENT PARK PUBLIC SCHOOL GRADE 6/7 GARDEN DESIGN PROGRAMExhibition Past \n \n \n \n \n \n ROBYN RENNIE: SEEING BEYONDExhibition Past \n \n \n \n \n \n Grant’s Legacy: Capturing Orillia’s History on FilmExhibition Current \n \n \n \n \n \n WRITING IN THE ROOM: ORILLIA’S LITERARY LEGACYExhibition Past \n \n \n \n \n \n FRIENDSHIP REDISCOVEREDExhibition Past \n \n \n \n \n \n A COLLECTION INSPIRED EXHIBITION: A CLOSE UP ON CARMICHAELExhibition Past \n \n \n \n \n \n 50 YEARS OF MARIPOSA ARTS THEATREExhibition Past \n \n \n \n \n \n STEEPED IN HISTORYExhibition Past \n \n \n \n \n \n JENNIFER ZARDO: HOME SWEET HOMEExhibition Past \n \n \n \n \n \n TED FULLERTON: THE SERPENT’S EGGExhibition Past \n \n \n \n \n \n TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n HOMAGE by Donald StuartExhibition Past \n \n \n \n \n \n ELIZABETH WYN WOODExhibition Past \n \n \n \n \n \n 26TH ANNUAL INTERNATIONAL WOMEN’S DAY ART SHOWExhibition Past \n \n \n \n \n \n RENEWAL: At the Stack GalleryExhibition Past \n \n \n \n \n \n BEYOND THE FENCE: Christine Mack and David HillExhibition Past \n \n \n \n \n \n GREAT TAIT: The True Story of Orillia’s First MillionaireExhibition Past \n \n \n \n \n \n THE MACKINAW JACKET: A Canadian Folk CostumeExhibition Past \n \n \n \n \n \n VIEWS OF ORILLIAExhibition Past \n \n \n \n \n \n THE MAN WHO COULD FLY; THE GIRL WHO FLIES IN HER DREAMS BY SYLVIA TESORIExhibition Past \n \n \n \n \n \n CARMICHAEL CANADIAN LANDSCAPE EXHIBITION: TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n EYEING MEDUSA: Amanta ScottExhibition Past \n \n \n \n \n \n EYEING OMAH’S COLLECTIONExhibition Past \n \n \n \n \n \n BURNER HERZOG: Gary Blundell and Victoria WardExhibition Past \n \n \n \n \n \n CONVERSATIONS: 150th Anniversary of the Ontario Society of ArtistsExhibition Past \n \n \n \n \n \n ORILLIA SOLDIERS’ MEMORIAL HOSPITAL POP-UP EXHIBITExhibition Past \n \n \n \n \n \n RETURN TO SENDERExhibition Past \n \n \n \n \n \n 25th ANNUAL INTERNATIONAL WOMEN’S DAY ART SHOWExhibition Past \n \n \n \n \n \n REFLECTIONS OF OURSELVESExhibition Past \n \n \n \n \n \n AMY BAGSHAW: ART INTERRUPTIONSExhibition Past \n \n \n \n \n \n FROM MARBLES TO MINECRAFT: A CENTURY OF CHILDHOODExhibition Past \n \n \n \n \n \n COLOUR WITH A UExhibition Past \n \n \n \n \n \n GOT THE TIME?Exhibition Past \n \n \n \n \n \n JILL PRICE: UNFURLEDExhibition Past \n \n \n \n \n \n WILL MCGARVEY: STICKS AND STONESExhibition Past \n \n \n \n \n \n CARMICHAEL CANADIAN LANDSCAPE EXHIBITION: TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n AT RISK: TRACEY LAWKOExhibition Past \n \n \n \n \n \n SHE SHOOTS\, SHE SCORESExhibition Past \n \n \n \n \n \n VIEWS FROM A CANOEExhibition Past \n \n \n \n \n \n THE HISTORY OF MEDICINE IN ORILLIAExhibition Past \n \n \n \n \n \n WELCOME HOME TO ORILLIAExhibition Past \n \n \n \n \n \n D. AHSÉN:NASE DOUGLAS: WE ARE STILL HERE!Exhibition Past \n \n \n \n \n \n CARMICHAEL CANADIAN LANDSCAPE EXHIBITION: TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n DYING MATTERS:REFLECTIONS OF GROWTH THROUGH GRIEFExhibition Past \n \n \n \n \n \n SUMMER ON THE LAKEExhibition Past \n \n \n \n \n \n THE HISTORY OF ORILLIA IN 50 ARTEFACTSExhibition Past \n \n \n \n \n \n THE ORILLIA POLICE AND THE SIR SAMUEL STEELE MEMORIAL BUILDINGExhibition Past URL:https://www.orilliamuseum.org/event/orillia-then-now/ ATTACH;FMTTYPE=image/png:https://www.orilliamuseum.org/wp-content/uploads/2024/09/Website-Promo-980-x-700-px.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Toronto:20250118T110000 DTEND;TZID=America/Toronto:20250517T160000 DTSTAMP:20260416T174618 CREATED:20241123T151726Z LAST-MODIFIED:20250108T192934Z UID:10000574-1737198000-1747497600@www.orilliamuseum.org SUMMARY:A COLLECTION-INSPIRED EXHIBITION: FOUR SEASONS IN ORILLIA DESCRIPTION: URL:https://www.orilliamuseum.org/event/canadian-society-of-painters-in-watercolour-100th-anniversary/ LOCATION:Orillia Museum of Art & History\, 30 Peter Street South\, Orillia\, Ontario\, L3V 5A9 ATTACH;FMTTYPE=image/jpeg:https://www.orilliamuseum.org/wp-content/uploads/2024/11/CARMICHAEL-Old-barns-Miners-Bay-NEW-Watercolour-10-x-12-5.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Toronto:20250125T110000 DTEND;TZID=America/Toronto:20250301T160000 DTSTAMP:20260416T174618 CREATED:20241123T150843Z LAST-MODIFIED:20241126T173128Z UID:10000572-1737802800-1740844800@www.orilliamuseum.org SUMMARY:BEHOLD A MAN WHO IS A BEAN | HARLEY DUCK DESCRIPTION:January 25\, 2025 – March 1\, 2025 \n \n \n \n \n \n Special Reception: January 25\, 2025 | 1-3 pm \n \n \n \n \n \n Behold a Man Who is a bean\n  \nSolo Exhibit by Harley Duck\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Harley Duck\, Truth in Advertising\, Sure\, 2023. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Behold a Man Who is a Bean\, explores the artist’s recent interest in the compositions and embellishments of mediaeval artworks\, which  historically belonged mostly to the wealthy and were viewable in a place of worship. With the embellishments removed\, Duck’s subject matter are simple random objects such as kitchen scraps or a greasy pan or common people who have no claim to major positions of power.  The pieces draw upon this history humourously.  Harley Duck is a graduate of the University of Guelph\, where he received a BA in English and Studio Art in 2021\, he is also currently completing a Museum and Gallery Studies Ontario College Graduate Certificate from Georgian College.   \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n OTHER EXHIBITIONS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n AllExhibition CurrentExhibition PastExhibition Upcoming\n\n \n \n \n \n \n \n Icons & Alter Egos: Heroes\, Villains\, and Everything In-BetweenExhibition Upcoming \n \n \n \n \n \n Media Arts ShowcaseExhibition Past \n \n \n \n \n \n From Hand to Heirloom: The Art of CraftExhibition Upcoming \n \n \n \n \n \n Face to FaceExhibition Current \n \n \n \n \n \n 29th Annual International Women’s Day Art ShowExhibition Current \n \n \n \n \n \n Made in OrilliaExhibition Current \n \n \n \n \n \n Tradition TransformedExhibition Past \n \n \n \n \n \n Yours to Uncover: An Ontario Road Trip | Peter Fyfe and John NottenExhibition Past \n \n \n \n \n \n John Gould: Travels of the Mind and BodyExhibition Past \n \n \n \n \n \n Voices Through Time: A Mariposa JourneyExhibition Past \n \n \n \n \n \n Tracing Places: Advertising in OrilliaExhibition Past \n \n \n \n \n \n Orillia: Then & NowExhibition Past \n \n \n \n \n \n 28th Annual International Women’s Day Art ShowExhibition Past \n \n \n \n \n \n ORILLIA LANDSCAPESExhibition Past \n \n \n \n \n \n THE SEVEN GRANDFATHER TEACHINGS: AT THE ORILLIA RECREATION CENTREExhibition Past \n \n \n \n \n \n A Collection-Inspired Exhibition: Four Seasons in OrilliaExhibition Past \n \n \n \n \n \n Gordon Lightfoot: Turning Back the PagesExhibition Current \n \n \n \n \n \n Perspectives Through Their EyesExhibition Past \n \n \n \n \n \n Heritage in Hues: Orillia’s Story Through TextilesExhibition Past \n \n \n \n \n \n Loup Garou & Mocassins | Nathalie BertinExhibition Past \n \n \n \n \n \n Behold a Man Who is a Bean | Harley DuckExhibition Past \n \n \n \n \n \n TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n OWL PEN REVISITED | GILLIAN LOWRYExhibition Past \n \n \n \n \n \n TEACHERS AND THEIR ENDURING IMPACT | JOSE SALASExhibition Past \n \n \n \n \n \n INCLUSION: AT THE STACK GALLERYExhibition Past \n \n \n \n \n \n EVERYONE HAS A STORY: TALES OF A COMMUNITYExhibition Current \n \n \n \n \n \n THE PROCESS INFORMS ME | JEANETTE LUCHESEExhibition Past \n \n \n \n \n \n PAWTRAITSExhibition Past \n \n \n \n \n \n REFLECTIONS OF OUR ROOTSExhibition Past \n \n \n \n \n \n BACKRA BLUID | STACEY TYRELLExhibition Past \n \n \n \n \n \n THE TEENAGE ZEITGEIST: At the Stack GalleryExhibition Past \n \n \n \n \n \n SYBILExhibition Past \n \n \n \n \n \n 27TH ANNUAL WOMEN’S DAY INTERNATIONAL ART SHOWExhibition Past \n \n \n \n \n \n REGENT PARK PUBLIC SCHOOL GRADE 6/7 GARDEN DESIGN PROGRAMExhibition Past \n \n \n \n \n \n ROBYN RENNIE: SEEING BEYONDExhibition Past \n \n \n \n \n \n Grant’s Legacy: Capturing Orillia’s History on FilmExhibition Current \n \n \n \n \n \n WRITING IN THE ROOM: ORILLIA’S LITERARY LEGACYExhibition Past \n \n \n \n \n \n FRIENDSHIP REDISCOVEREDExhibition Past \n \n \n \n \n \n A COLLECTION INSPIRED EXHIBITION: A CLOSE UP ON CARMICHAELExhibition Past \n \n \n \n \n \n 50 YEARS OF MARIPOSA ARTS THEATREExhibition Past \n \n \n \n \n \n STEEPED IN HISTORYExhibition Past \n \n \n \n \n \n JENNIFER ZARDO: HOME SWEET HOMEExhibition Past \n \n \n \n \n \n TED FULLERTON: THE SERPENT’S EGGExhibition Past \n \n \n \n \n \n TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n HOMAGE by Donald StuartExhibition Past \n \n \n \n \n \n ELIZABETH WYN WOODExhibition Past \n \n \n \n \n \n 26TH ANNUAL INTERNATIONAL WOMEN’S DAY ART SHOWExhibition Past \n \n \n \n \n \n RENEWAL: At the Stack GalleryExhibition Past \n \n \n \n \n \n BEYOND THE FENCE: Christine Mack and David HillExhibition Past \n \n \n \n \n \n GREAT TAIT: The True Story of Orillia’s First MillionaireExhibition Past \n \n \n \n \n \n THE MACKINAW JACKET: A Canadian Folk CostumeExhibition Past \n \n \n \n \n \n VIEWS OF ORILLIAExhibition Past \n \n \n \n \n \n THE MAN WHO COULD FLY; THE GIRL WHO FLIES IN HER DREAMS BY SYLVIA TESORIExhibition Past \n \n \n \n \n \n CARMICHAEL CANADIAN LANDSCAPE EXHIBITION: TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n EYEING MEDUSA: Amanta ScottExhibition Past \n \n \n \n \n \n EYEING OMAH’S COLLECTIONExhibition Past \n \n \n \n \n \n BURNER HERZOG: Gary Blundell and Victoria WardExhibition Past \n \n \n \n \n \n CONVERSATIONS: 150th Anniversary of the Ontario Society of ArtistsExhibition Past \n \n \n \n \n \n ORILLIA SOLDIERS’ MEMORIAL HOSPITAL POP-UP EXHIBITExhibition Past \n \n \n \n \n \n RETURN TO SENDERExhibition Past \n \n \n \n \n \n 25th ANNUAL INTERNATIONAL WOMEN’S DAY ART SHOWExhibition Past \n \n \n \n \n \n REFLECTIONS OF OURSELVESExhibition Past \n \n \n \n \n \n AMY BAGSHAW: ART INTERRUPTIONSExhibition Past \n \n \n \n \n \n FROM MARBLES TO MINECRAFT: A CENTURY OF CHILDHOODExhibition Past \n \n \n \n \n \n COLOUR WITH A UExhibition Past \n \n \n \n \n \n GOT THE TIME?Exhibition Past \n \n \n \n \n \n JILL PRICE: UNFURLEDExhibition Past \n \n \n \n \n \n WILL MCGARVEY: STICKS AND STONESExhibition Past \n \n \n \n \n \n CARMICHAEL CANADIAN LANDSCAPE EXHIBITION: TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n AT RISK: TRACEY LAWKOExhibition Past \n \n \n \n \n \n SHE SHOOTS\, SHE SCORESExhibition Past \n \n \n \n \n \n VIEWS FROM A CANOEExhibition Past \n \n \n \n \n \n THE HISTORY OF MEDICINE IN ORILLIAExhibition Past \n \n \n \n \n \n WELCOME HOME TO ORILLIAExhibition Past \n \n \n \n \n \n D. AHSÉN:NASE DOUGLAS: WE ARE STILL HERE!Exhibition Past \n \n \n \n \n \n CARMICHAEL CANADIAN LANDSCAPE EXHIBITION: TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n DYING MATTERS:REFLECTIONS OF GROWTH THROUGH GRIEFExhibition Past \n \n \n \n \n \n SUMMER ON THE LAKEExhibition Past \n \n \n \n \n \n THE HISTORY OF ORILLIA IN 50 ARTEFACTSExhibition Past \n \n \n \n \n \n THE ORILLIA POLICE AND THE SIR SAMUEL STEELE MEMORIAL BUILDINGExhibition Past URL:https://www.orilliamuseum.org/event/36169/ ATTACH;FMTTYPE=image/jpeg:https://www.orilliamuseum.org/wp-content/uploads/2024/11/Duck_Truth-in-Advertising-Sure_2023-scaled.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Toronto:20250125T110000 DTEND;TZID=America/Toronto:20250419T160000 DTSTAMP:20260416T174619 CREATED:20241123T151145Z LAST-MODIFIED:20241126T173349Z UID:10000573-1737802800-1745078400@www.orilliamuseum.org SUMMARY:LOUP GAROU & MOCCASINS | NATHALIE BERTIN DESCRIPTION:January 25\, 2025 – April 19\, 2025 \n \n \n \n \n \n Special Reception: January 25\, 2025 | 1-3 pm \n \n \n \n \n \n Loup Garou & Moccasins\n  \nSolo Exhibit by Nathalie Bertin\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n (From left to right) Nathalie Bertin\, Wisakedjak and the Sea Gulls.  12” diameter\, Mixed Media\, 2019 and Nathalie Bertin\, My Fate As A Bridge. 20” x 24”\, Mixed media on premium gallery wrapped canvas\, 2012. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tales and stories are part of our childhood. It is often when we go to bed at night that a parent tells us a fairy tale.  Lying on our pillow listening to the voice of someone we love soothes us and puts us to sleep. We are in dreamland! \nIn the Algonquin and Metis tradition\, moccasins not only put our feet on but also connect us to the earth. On special occasions\, we are often given a new pair of moccasins with beadwork to signify the importance of the occasion but also to keep us grounded in life. \nStorytelling and traditional dress are part of many cultures. It is a common link. The “Moccushion” series consists of a dozen stories drawn from Metis families across Ontario. Their construction is made with a variety of leather\, fur\, wool\, embroidery and various beads chosen specifically for the tale. In addition to interpreting a traditional tale\, they show us some things about distinct Metis art styles. -Bertin \nNathalie Bertin is a multidisciplinary visual artist from Toronto\, Ontario. She has lived near the shores of Lake Nosbonsing\, between North Bay and Mattawa\, since 2021. She is of French\, Metis and Algonquin ancestry with roots in Trois Rivieres (QC)\, Michilimakinac (USA) & Nipissing (ON).  \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n OTHER EXHIBITIONS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n AllExhibition CurrentExhibition PastExhibition Upcoming\n\n \n \n \n \n \n \n Icons & Alter Egos: Heroes\, Villains\, and Everything In-BetweenExhibition Upcoming \n \n \n \n \n \n Media Arts ShowcaseExhibition Past \n \n \n \n \n \n From Hand to Heirloom: The Art of CraftExhibition Upcoming \n \n \n \n \n \n Face to FaceExhibition Current \n \n \n \n \n \n 29th Annual International Women’s Day Art ShowExhibition Current \n \n \n \n \n \n Made in OrilliaExhibition Current \n \n \n \n \n \n Tradition TransformedExhibition Past \n \n \n \n \n \n Yours to Uncover: An Ontario Road Trip | Peter Fyfe and John NottenExhibition Past \n \n \n \n \n \n John Gould: Travels of the Mind and BodyExhibition Past \n \n \n \n \n \n Voices Through Time: A Mariposa JourneyExhibition Past \n \n \n \n \n \n Tracing Places: Advertising in OrilliaExhibition Past \n \n \n \n \n \n Orillia: Then & NowExhibition Past \n \n \n \n \n \n 28th Annual International Women’s Day Art ShowExhibition Past \n \n \n \n \n \n ORILLIA LANDSCAPESExhibition Past \n \n \n \n \n \n THE SEVEN GRANDFATHER TEACHINGS: AT THE ORILLIA RECREATION CENTREExhibition Past \n \n \n \n \n \n A Collection-Inspired Exhibition: Four Seasons in OrilliaExhibition Past \n \n \n \n \n \n Gordon Lightfoot: Turning Back the PagesExhibition Current \n \n \n \n \n \n Perspectives Through Their EyesExhibition Past \n \n \n \n \n \n Heritage in Hues: Orillia’s Story Through TextilesExhibition Past \n \n \n \n \n \n Loup Garou & Mocassins | Nathalie BertinExhibition Past \n \n \n \n \n \n Behold a Man Who is a Bean | Harley DuckExhibition Past \n \n \n \n \n \n TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n OWL PEN REVISITED | GILLIAN LOWRYExhibition Past \n \n \n \n \n \n TEACHERS AND THEIR ENDURING IMPACT | JOSE SALASExhibition Past \n \n \n \n \n \n INCLUSION: AT THE STACK GALLERYExhibition Past \n \n \n \n \n \n EVERYONE HAS A STORY: TALES OF A COMMUNITYExhibition Current \n \n \n \n \n \n THE PROCESS INFORMS ME | JEANETTE LUCHESEExhibition Past \n \n \n \n \n \n PAWTRAITSExhibition Past \n \n \n \n \n \n REFLECTIONS OF OUR ROOTSExhibition Past \n \n \n \n \n \n BACKRA BLUID | STACEY TYRELLExhibition Past \n \n \n \n \n \n THE TEENAGE ZEITGEIST: At the Stack GalleryExhibition Past \n \n \n \n \n \n SYBILExhibition Past \n \n \n \n \n \n 27TH ANNUAL WOMEN’S DAY INTERNATIONAL ART SHOWExhibition Past \n \n \n \n \n \n REGENT PARK PUBLIC SCHOOL GRADE 6/7 GARDEN DESIGN PROGRAMExhibition Past \n \n \n \n \n \n ROBYN RENNIE: SEEING BEYONDExhibition Past \n \n \n \n \n \n Grant’s Legacy: Capturing Orillia’s History on FilmExhibition Current \n \n \n \n \n \n WRITING IN THE ROOM: ORILLIA’S LITERARY LEGACYExhibition Past \n \n \n \n \n \n FRIENDSHIP REDISCOVEREDExhibition Past \n \n \n \n \n \n A COLLECTION INSPIRED EXHIBITION: A CLOSE UP ON CARMICHAELExhibition Past \n \n \n \n \n \n 50 YEARS OF MARIPOSA ARTS THEATREExhibition Past \n \n \n \n \n \n STEEPED IN HISTORYExhibition Past \n \n \n \n \n \n JENNIFER ZARDO: HOME SWEET HOMEExhibition Past \n \n \n \n \n \n TED FULLERTON: THE SERPENT’S EGGExhibition Past \n \n \n \n \n \n TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n HOMAGE by Donald StuartExhibition Past \n \n \n \n \n \n ELIZABETH WYN WOODExhibition Past \n \n \n \n \n \n 26TH ANNUAL INTERNATIONAL WOMEN’S DAY ART SHOWExhibition Past \n \n \n \n \n \n RENEWAL: At the Stack GalleryExhibition Past \n \n \n \n \n \n BEYOND THE FENCE: Christine Mack and David HillExhibition Past \n \n \n \n \n \n GREAT TAIT: The True Story of Orillia’s First MillionaireExhibition Past \n \n \n \n \n \n THE MACKINAW JACKET: A Canadian Folk CostumeExhibition Past \n \n \n \n \n \n VIEWS OF ORILLIAExhibition Past \n \n \n \n \n \n THE MAN WHO COULD FLY; THE GIRL WHO FLIES IN HER DREAMS BY SYLVIA TESORIExhibition Past \n \n \n \n \n \n CARMICHAEL CANADIAN LANDSCAPE EXHIBITION: TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n EYEING MEDUSA: Amanta ScottExhibition Past \n \n \n \n \n \n EYEING OMAH’S COLLECTIONExhibition Past \n \n \n \n \n \n BURNER HERZOG: Gary Blundell and Victoria WardExhibition Past \n \n \n \n \n \n CONVERSATIONS: 150th Anniversary of the Ontario Society of ArtistsExhibition Past \n \n \n \n \n \n ORILLIA SOLDIERS’ MEMORIAL HOSPITAL POP-UP EXHIBITExhibition Past \n \n \n \n \n \n RETURN TO SENDERExhibition Past \n \n \n \n \n \n 25th ANNUAL INTERNATIONAL WOMEN’S DAY ART SHOWExhibition Past \n \n \n \n \n \n REFLECTIONS OF OURSELVESExhibition Past \n \n \n \n \n \n AMY BAGSHAW: ART INTERRUPTIONSExhibition Past \n \n \n \n \n \n FROM MARBLES TO MINECRAFT: A CENTURY OF CHILDHOODExhibition Past \n \n \n \n \n \n COLOUR WITH A UExhibition Past \n \n \n \n \n \n GOT THE TIME?Exhibition Past \n \n \n \n \n \n JILL PRICE: UNFURLEDExhibition Past \n \n \n \n \n \n WILL MCGARVEY: STICKS AND STONESExhibition Past \n \n \n \n \n \n CARMICHAEL CANADIAN LANDSCAPE EXHIBITION: TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n AT RISK: TRACEY LAWKOExhibition Past \n \n \n \n \n \n SHE SHOOTS\, SHE SCORESExhibition Past \n \n \n \n \n \n VIEWS FROM A CANOEExhibition Past \n \n \n \n \n \n THE HISTORY OF MEDICINE IN ORILLIAExhibition Past \n \n \n \n \n \n WELCOME HOME TO ORILLIAExhibition Past \n \n \n \n \n \n D. AHSÉN:NASE DOUGLAS: WE ARE STILL HERE!Exhibition Past \n \n \n \n \n \n CARMICHAEL CANADIAN LANDSCAPE EXHIBITION: TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n DYING MATTERS:REFLECTIONS OF GROWTH THROUGH GRIEFExhibition Past \n \n \n \n \n \n SUMMER ON THE LAKEExhibition Past \n \n \n \n \n \n THE HISTORY OF ORILLIA IN 50 ARTEFACTSExhibition Past \n \n \n \n \n \n THE ORILLIA POLICE AND THE SIR SAMUEL STEELE MEMORIAL BUILDINGExhibition Past URL:https://www.orilliamuseum.org/event/36173/ ATTACH;FMTTYPE=image/png:https://www.orilliamuseum.org/wp-content/uploads/2024/11/Untitled-design-15.png END:VEVENT END:VCALENDAR