BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Orillia Museum of Art and History - ECPv6.16.5//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://www.orilliamuseum.org X-WR-CALDESC:Events for Orillia Museum of Art and History REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Toronto BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20240310T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20241103T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20250309T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20251102T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20260308T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20261101T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20270314T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20271107T060000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/Toronto:20250927T110000 DTEND;TZID=America/Toronto:20260328T160000 DTSTAMP:20250820T163445Z CREATED:20250820T131730Z LAST-MODIFIED:20250820T163445Z UID:10000656-1758970800-1774713600@www.orilliamuseum.org SUMMARY:Tracing Places: Advertising in Orillia DESCRIPTION:September 27 – March 28\, 2025 \n \n \n \n \n \n tRACING pLACES: aDVERTISING IN oRILLIA\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n From neon signs and radio jingles to souvenirs and digital ads\, advertising has always shaped how communities see themselves — and how the world sees them! Tracing Places: Advertising in Orillia explores the stories of local businesses through the lens of advertising. From local sign makers to local businesses utilizing advertising. See how Orillia adapted to national trends and new technologies. Explore business signs\, newspaper ads\, and promotional products and the stories that connect them to Orillia! \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n OTHER EXHIBITIONS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n AllExhibition CurrentExhibition PastExhibition Upcoming\n\n \n \n \n \n \n \n The Many Faces of Paul Shilling: A RetrospectiveExhibition Current \n \n \n \n \n \n Drake Williams: Awaken the SpiritsExhibition Current\, Exhibition Upcoming \n \n \n \n \n \n Icons & Alter Egos: Heroes\, Villains\, and Everything In-BetweenExhibition Past \n \n \n \n \n \n Media Arts ShowcaseExhibition Past \n \n \n \n \n \n From Hand to Heirloom: The Art of CraftExhibition Current \n \n \n \n \n \n Face to FaceExhibition Past \n \n \n \n \n \n 29th Annual International Women’s Day Art ShowExhibition Past \n \n \n \n \n \n Made in OrilliaExhibition Current \n \n \n \n \n \n Tradition TransformedExhibition Past \n \n \n \n \n \n Yours to Uncover: An Ontario Road Trip | Peter Fyfe and John NottenExhibition Past \n \n \n \n \n \n John Gould: Travels of the Mind and BodyExhibition Past \n \n \n \n \n \n Voices Through Time: A Mariposa JourneyExhibition Past \n \n \n \n \n \n Tracing Places: Advertising in OrilliaExhibition Past \n \n \n \n \n \n Orillia: Then & NowExhibition Past \n \n \n \n \n \n 28th Annual International Women’s Day Art ShowExhibition Past \n \n \n \n \n \n ORILLIA LANDSCAPESExhibition Past \n \n \n \n \n \n THE SEVEN GRANDFATHER TEACHINGS: AT THE ORILLIA RECREATION CENTREExhibition Past \n \n \n \n \n \n A Collection-Inspired Exhibition: Four Seasons in OrilliaExhibition Past \n \n \n \n \n \n Gordon Lightfoot: Turning Back the PagesExhibition Current \n \n \n \n \n \n Perspectives Through Their EyesExhibition Past \n \n \n \n \n \n Heritage in Hues: Orillia’s Story Through TextilesExhibition Past \n \n \n \n \n \n Loup Garou & Mocassins | Nathalie BertinExhibition Past \n \n \n \n \n \n Behold a Man Who is a Bean | Harley DuckExhibition Past \n \n \n \n \n \n TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n OWL PEN REVISITED | GILLIAN LOWRYExhibition Past \n \n \n \n \n \n TEACHERS AND THEIR ENDURING IMPACT | JOSE SALASExhibition Past \n \n \n \n \n \n INCLUSION: AT THE STACK GALLERYExhibition Past \n \n \n \n \n \n EVERYONE HAS A STORY: TALES OF A COMMUNITYExhibition Current \n \n \n \n \n \n THE PROCESS INFORMS ME | JEANETTE LUCHESEExhibition Past \n \n \n \n \n \n PAWTRAITSExhibition Past \n \n \n \n \n \n REFLECTIONS OF OUR ROOTSExhibition Past \n \n \n \n \n \n BACKRA BLUID | STACEY TYRELLExhibition Past \n \n \n \n \n \n THE TEENAGE ZEITGEIST: At the Stack GalleryExhibition Past \n \n \n \n \n \n SYBILExhibition Past \n \n \n \n \n \n 27TH ANNUAL WOMEN’S DAY INTERNATIONAL ART SHOWExhibition Past \n \n \n \n \n \n REGENT PARK PUBLIC SCHOOL GRADE 6/7 GARDEN DESIGN PROGRAMExhibition Past \n \n \n \n \n \n ROBYN RENNIE: SEEING BEYONDExhibition Past \n \n \n \n \n \n Grant’s Legacy: Capturing Orillia’s History on FilmExhibition Current \n \n \n \n \n \n WRITING IN THE ROOM: ORILLIA’S LITERARY LEGACYExhibition Past \n \n \n \n \n \n FRIENDSHIP REDISCOVEREDExhibition Past \n \n \n \n \n \n A COLLECTION INSPIRED EXHIBITION: A CLOSE UP ON CARMICHAELExhibition Past \n \n \n \n \n \n 50 YEARS OF MARIPOSA ARTS THEATREExhibition Past \n \n \n \n \n \n STEEPED IN HISTORYExhibition Past \n \n \n \n \n \n JENNIFER ZARDO: HOME SWEET HOMEExhibition Past \n \n \n \n \n \n TED FULLERTON: THE SERPENT’S EGGExhibition Past \n \n \n \n \n \n TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n HOMAGE by Donald StuartExhibition Past \n \n \n \n \n \n ELIZABETH WYN WOODExhibition Past \n \n \n \n \n \n 26TH ANNUAL INTERNATIONAL WOMEN’S DAY ART SHOWExhibition Past \n \n \n \n \n \n RENEWAL: At the Stack GalleryExhibition Past \n \n \n \n \n \n BEYOND THE FENCE: Christine Mack and David HillExhibition Past \n \n \n \n \n \n GREAT TAIT: The True Story of Orillia’s First MillionaireExhibition Past \n \n \n \n \n \n THE MACKINAW JACKET: A Canadian Folk CostumeExhibition Past \n \n \n \n \n \n VIEWS OF ORILLIAExhibition Past \n \n \n \n \n \n THE MAN WHO COULD FLY; THE GIRL WHO FLIES IN HER DREAMS BY SYLVIA TESORIExhibition Past \n \n \n \n \n \n CARMICHAEL CANADIAN LANDSCAPE EXHIBITION: TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n EYEING MEDUSA: Amanta ScottExhibition Past \n \n \n \n \n \n EYEING OMAH’S COLLECTIONExhibition Past \n \n \n \n \n \n BURNER HERZOG: Gary Blundell and Victoria WardExhibition Past \n \n \n \n \n \n CONVERSATIONS: 150th Anniversary of the Ontario Society of ArtistsExhibition Past \n \n \n \n \n \n ORILLIA SOLDIERS’ MEMORIAL HOSPITAL POP-UP EXHIBITExhibition Past \n \n \n \n \n \n RETURN TO SENDERExhibition Past \n \n \n \n \n \n 25th ANNUAL INTERNATIONAL WOMEN’S DAY ART SHOWExhibition Past \n \n \n \n \n \n REFLECTIONS OF OURSELVESExhibition Past \n \n \n \n \n \n AMY BAGSHAW: ART INTERRUPTIONSExhibition Past \n \n \n \n \n \n FROM MARBLES TO MINECRAFT: A CENTURY OF CHILDHOODExhibition Past \n \n \n \n \n \n COLOUR WITH A UExhibition Past \n \n \n \n \n \n GOT THE TIME?Exhibition Past \n \n \n \n \n \n JILL PRICE: UNFURLEDExhibition Past \n \n \n \n \n \n WILL MCGARVEY: STICKS AND STONESExhibition Past \n \n \n \n \n \n CARMICHAEL CANADIAN LANDSCAPE EXHIBITION: TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n AT RISK: TRACEY LAWKOExhibition Past \n \n \n \n \n \n SHE SHOOTS\, SHE SCORESExhibition Past \n \n \n \n \n \n VIEWS FROM A CANOEExhibition Past \n \n \n \n \n \n THE HISTORY OF MEDICINE IN ORILLIAExhibition Past \n \n \n \n \n \n WELCOME HOME TO ORILLIAExhibition Past \n \n \n \n \n \n D. AHSÉN:NASE DOUGLAS: WE ARE STILL HERE!Exhibition Past \n \n \n \n \n \n CARMICHAEL CANADIAN LANDSCAPE EXHIBITION: TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n DYING MATTERS:REFLECTIONS OF GROWTH THROUGH GRIEFExhibition Past \n \n \n \n \n \n SUMMER ON THE LAKEExhibition Past \n \n \n \n \n \n THE HISTORY OF ORILLIA IN 50 ARTEFACTSExhibition Past \n \n \n \n \n \n THE ORILLIA POLICE AND THE SIR SAMUEL STEELE MEMORIAL BUILDINGExhibition Past URL:https://www.orilliamuseum.org/event/tracing-places-advertising-in-orillia/ ATTACH;FMTTYPE=image/jpeg:https://www.orilliamuseum.org/wp-content/uploads/2025/08/Copy-of-Website-Promo-980-x-700-px-5-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Toronto:20251004T110000 DTEND;TZID=America/Toronto:20260117T160000 DTSTAMP:20250613T134317Z CREATED:20250613T134313Z LAST-MODIFIED:20250613T134317Z UID:10000654-1759575600-1768665600@www.orilliamuseum.org SUMMARY:John Gould: Travels of the Body and Mind DESCRIPTION:October 4\, 2025 – January 17\, 2026Reception: October 25\, 2025 | 1 – 3 pm \n \n \n \n \n \n john gould: travels of the mind and body\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n  John Gould\, sketch on paper.  Image courtesy of the estate of John Gould. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n John Gould (1929-2010) was a master draftsman\, acclaimed jazz musician\, and filmmaker who made several short films based on his drawings. He travelled to Japan\, Mexico\, Peru and Spain\, where he spent his time sketching the local people in cafes and markets.  Travels of the Mind and Body is an exhibition of these sketches along with works from the artist’s imagination. \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n OTHER EXHIBITIONS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n AllExhibition CurrentExhibition PastExhibition Upcoming\n\n \n \n \n \n \n \n The Many Faces of Paul Shilling: A RetrospectiveExhibition Current \n \n \n \n \n \n Drake Williams: Awaken the SpiritsExhibition Current\, Exhibition Upcoming \n \n \n \n \n \n Icons & Alter Egos: Heroes\, Villains\, and Everything In-BetweenExhibition Past \n \n \n \n \n \n Media Arts ShowcaseExhibition Past \n \n \n \n \n \n From Hand to Heirloom: The Art of CraftExhibition Current \n \n \n \n \n \n Face to FaceExhibition Past \n \n \n \n \n \n 29th Annual International Women’s Day Art ShowExhibition Past \n \n \n \n \n \n Made in OrilliaExhibition Current \n \n \n \n \n \n Tradition TransformedExhibition Past \n \n \n \n \n \n Yours to Uncover: An Ontario Road Trip | Peter Fyfe and John NottenExhibition Past \n \n \n \n \n \n John Gould: Travels of the Mind and BodyExhibition Past \n \n \n \n \n \n Voices Through Time: A Mariposa JourneyExhibition Past \n \n \n \n \n \n Tracing Places: Advertising in OrilliaExhibition Past \n \n \n \n \n \n Orillia: Then & NowExhibition Past \n \n \n \n \n \n 28th Annual International Women’s Day Art ShowExhibition Past \n \n \n \n \n \n ORILLIA LANDSCAPESExhibition Past \n \n \n \n \n \n THE SEVEN GRANDFATHER TEACHINGS: AT THE ORILLIA RECREATION CENTREExhibition Past \n \n \n \n \n \n A Collection-Inspired Exhibition: Four Seasons in OrilliaExhibition Past \n \n \n \n \n \n Gordon Lightfoot: Turning Back the PagesExhibition Current \n \n \n \n \n \n Perspectives Through Their EyesExhibition Past \n \n \n \n \n \n Heritage in Hues: Orillia’s Story Through TextilesExhibition Past \n \n \n \n \n \n Loup Garou & Mocassins | Nathalie BertinExhibition Past \n \n \n \n \n \n Behold a Man Who is a Bean | Harley DuckExhibition Past \n \n \n \n \n \n TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n OWL PEN REVISITED | GILLIAN LOWRYExhibition Past \n \n \n \n \n \n TEACHERS AND THEIR ENDURING IMPACT | JOSE SALASExhibition Past \n \n \n \n \n \n INCLUSION: AT THE STACK GALLERYExhibition Past \n \n \n \n \n \n EVERYONE HAS A STORY: TALES OF A COMMUNITYExhibition Current \n \n \n \n \n \n THE PROCESS INFORMS ME | JEANETTE LUCHESEExhibition Past \n \n \n \n \n \n PAWTRAITSExhibition Past \n \n \n \n \n \n REFLECTIONS OF OUR ROOTSExhibition Past \n \n \n \n \n \n BACKRA BLUID | STACEY TYRELLExhibition Past \n \n \n \n \n \n THE TEENAGE ZEITGEIST: At the Stack GalleryExhibition Past \n \n \n \n \n \n SYBILExhibition Past \n \n \n \n \n \n 27TH ANNUAL WOMEN’S DAY INTERNATIONAL ART SHOWExhibition Past \n \n \n \n \n \n REGENT PARK PUBLIC SCHOOL GRADE 6/7 GARDEN DESIGN PROGRAMExhibition Past \n \n \n \n \n \n ROBYN RENNIE: SEEING BEYONDExhibition Past \n \n \n \n \n \n Grant’s Legacy: Capturing Orillia’s History on FilmExhibition Current \n \n \n \n \n \n WRITING IN THE ROOM: ORILLIA’S LITERARY LEGACYExhibition Past \n \n \n \n \n \n FRIENDSHIP REDISCOVEREDExhibition Past \n \n \n \n \n \n A COLLECTION INSPIRED EXHIBITION: A CLOSE UP ON CARMICHAELExhibition Past \n \n \n \n \n \n 50 YEARS OF MARIPOSA ARTS THEATREExhibition Past \n \n \n \n \n \n STEEPED IN HISTORYExhibition Past \n \n \n \n \n \n JENNIFER ZARDO: HOME SWEET HOMEExhibition Past \n \n \n \n \n \n TED FULLERTON: THE SERPENT’S EGGExhibition Past \n \n \n \n \n \n TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n HOMAGE by Donald StuartExhibition Past \n \n \n \n \n \n ELIZABETH WYN WOODExhibition Past \n \n \n \n \n \n 26TH ANNUAL INTERNATIONAL WOMEN’S DAY ART SHOWExhibition Past \n \n \n \n \n \n RENEWAL: At the Stack GalleryExhibition Past \n \n \n \n \n \n BEYOND THE FENCE: Christine Mack and David HillExhibition Past \n \n \n \n \n \n GREAT TAIT: The True Story of Orillia’s First MillionaireExhibition Past \n \n \n \n \n \n THE MACKINAW JACKET: A Canadian Folk CostumeExhibition Past \n \n \n \n \n \n VIEWS OF ORILLIAExhibition Past \n \n \n \n \n \n THE MAN WHO COULD FLY; THE GIRL WHO FLIES IN HER DREAMS BY SYLVIA TESORIExhibition Past \n \n \n \n \n \n CARMICHAEL CANADIAN LANDSCAPE EXHIBITION: TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n EYEING MEDUSA: Amanta ScottExhibition Past \n \n \n \n \n \n EYEING OMAH’S COLLECTIONExhibition Past \n \n \n \n \n \n BURNER HERZOG: Gary Blundell and Victoria WardExhibition Past \n \n \n \n \n \n CONVERSATIONS: 150th Anniversary of the Ontario Society of ArtistsExhibition Past \n \n \n \n \n \n ORILLIA SOLDIERS’ MEMORIAL HOSPITAL POP-UP EXHIBITExhibition Past \n \n \n \n \n \n RETURN TO SENDERExhibition Past \n \n \n \n \n \n 25th ANNUAL INTERNATIONAL WOMEN’S DAY ART SHOWExhibition Past \n \n \n \n \n \n REFLECTIONS OF OURSELVESExhibition Past \n \n \n \n \n \n AMY BAGSHAW: ART INTERRUPTIONSExhibition Past \n \n \n \n \n \n FROM MARBLES TO MINECRAFT: A CENTURY OF CHILDHOODExhibition Past \n \n \n \n \n \n COLOUR WITH A UExhibition Past \n \n \n \n \n \n GOT THE TIME?Exhibition Past \n \n \n \n \n \n JILL PRICE: UNFURLEDExhibition Past \n \n \n \n \n \n WILL MCGARVEY: STICKS AND STONESExhibition Past \n \n \n \n \n \n CARMICHAEL CANADIAN LANDSCAPE EXHIBITION: TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n AT RISK: TRACEY LAWKOExhibition Past \n \n \n \n \n \n SHE SHOOTS\, SHE SCORESExhibition Past \n \n \n \n \n \n VIEWS FROM A CANOEExhibition Past \n \n \n \n \n \n THE HISTORY OF MEDICINE IN ORILLIAExhibition Past \n \n \n \n \n \n WELCOME HOME TO ORILLIAExhibition Past \n \n \n \n \n \n D. AHSÉN:NASE DOUGLAS: WE ARE STILL HERE!Exhibition Past \n \n \n \n \n \n CARMICHAEL CANADIAN LANDSCAPE EXHIBITION: TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n DYING MATTERS:REFLECTIONS OF GROWTH THROUGH GRIEFExhibition Past \n \n \n \n \n \n SUMMER ON THE LAKEExhibition Past \n \n \n \n \n \n THE HISTORY OF ORILLIA IN 50 ARTEFACTSExhibition Past \n \n \n \n \n \n THE ORILLIA POLICE AND THE SIR SAMUEL STEELE MEMORIAL BUILDINGExhibition Past URL:https://www.orilliamuseum.org/event/john-gould-travels-of-the-body-and-mind/ ATTACH;FMTTYPE=image/jpeg:https://www.orilliamuseum.org/wp-content/uploads/2025/06/John-Gould-Image-for-Promo-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Toronto:20251025T110000 DTEND;TZID=America/Toronto:20260110T160000 DTSTAMP:20250613T142233Z CREATED:20250613T142229Z LAST-MODIFIED:20250613T142233Z UID:10000655-1761390000-1768060800@www.orilliamuseum.org SUMMARY:Tradition Transformed DESCRIPTION:October 25\, 2025 – January 10\, 2026Reception: October 25\, 2025 | 1 – 3 PM \n \n \n \n \n \n TRADITION TRANSFORMED\n  \nAnnual Juried Landscape Exhibition\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n 2024 participating artist Claire Domitric\, Everchanging Lands. Watercolour and ink on Stone paper (Mineral paper)\, 20”x28”\, 2022. \n \n Call for Tradition Transformed Submissions\n \n Conditions for Submission\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Our vast and varied landscape is as unique and diverse as the people who inhabit\, traverse\, or envision it.   This year\, in conjunction with the exhibition John Gould: Travels of the Body and Mind running concurrently at OMAH\, we invite participants to consider the theme of travel or daydreaming in relation to the Canadian Landscape.  \nNow in its 24th year\, this annual juried exhibition was created in recognition of Franklin Carmichael\, a renowned landscape artist and member of the Group of Seven\, who was born in Orillia. Inspired by Northern Ontario’s natural beauty\, Carmichael often travelled there to capture the landscape in watercolours\, his preferred medium. This exhibition invites artists from across Canada to reinterpret the Canadian landscape through their chosen medium—including\, but not limited to\, drawing\, painting\, sculpture\, photography\, and media arts. \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Additional Information\n \n \n \n \n \n Entry Fee\n \n \n \n \n \n There is an application fee of $40 (plus HST) per submission.  Artists can submit up to 3 times\, $40 (plus HST) each submission\, one image for each entry.   \n \n \n \n \n \n Submission Details\n \n \n \n \n \n Submission Deadline: Friday August 22\, 2025 by midnightJury Results: The final week of September \n \n \n \n \n \n Jurors\n \n \n \n \n \n Carol-Ann Ryan\n \n \n \n \n \n Visual arts professional and former Public Art Coordinator for the City of Barrie\, with past roles at AGO\, MOCA Toronto\, MacLaren Art Centre\, and more. \n \n \n \n \n \n Erin Vincent\n \n \n \n \n \n Acclaimed Toronto-based artist with exhibitions across Canada\, the U.S.\, and the U.K.\, represented by Christie Contemporary and other leading galleries. \n \n \n \n \n \n Accepted Artwork\n \n \n \n \n \n Terms and Conditions: \n\nAccepted artworks must be received by OMAH on or by Monday October 20\, 2025 between 10am-4pm.  If you cannot deliver your artwork during this window\, please ship your artwork to OMAH and ensure that it arrives by Friday October 17\, 2025.  \n\nAddress to: Tanya Cunnington℅ the Orillia Museum of Art and History30 Peter Street S\, Orillia ONL3V 5A9  \n\nA printed or clearly written identification label that includes Artist\, Title\, Date\, Medium\, Dimensions\, and Price must accompany artwork.\nTransportation of artworks to and from OMAH\, and costs related to this transportation are the responsibility of the artist(s)\nArtwork that was shipped to the exhibition will be shipped back to the artist upon the completion of the exhibition at the artist’s expense via Canada Post\, unless otherwise specified.  \nArtwork must arrive display-ready with appropriate hardware. Two-dimensional work must be ready to hang. Photographs should be professionally mounted and/or framed. OMAH reserves the right to refuse work if it arrives in a condition unsuitable for presentation in a museum gallery setting.\nAccepted entries must remain on display until the final day of the exhibition\, Saturday\, January 10\, 2026.\nArtworks must be removed from OMAH on Monday\, January 12\, 2026\, between 10am – 4pm.  If you cannot pick up your artwork at this time\, please contact Tanya Cunninton\, OMAH’s Arts Programming Coordinator prior to the closing date of this exhibition to make other arrangements.  \nAfter Monday\, January 12\, 2026\, artworks are no longer insured by OMAH.\nRecipients of prizes will be announced at the reception\, Saturday\, October 25\, 2025.\nPrizes must be accepted as awarded.\nAny sales of artwork are to be divided: 60% to the artist\, 40% to OMAH.\n Jurying will be conducted through electronic submissions. Successful candidates will then be notified by email late-September.  At that time\, candidates will be invited to submit supplemental information for consideration for The Kevin J. Batchelor Emerging Artist Award.  This is subject to change. The Jurors’ Prize recipient will be determined by the Jurors.\nOMAH allows visitors to take photographs in the museum. If artists do not want their work photographed\, they must inform the Museum in writing. In most cases\, and to the extent that enforcement is reasonable and possible\, OMAH will attempt to accommodate the artist’s request.\nOMAH retains the right to use artist’s images for promotional purposes related to the current and future iterations of Tradition Transformed.\n\n \n \n \n \n \n \n \n \n \n \n \n Prizes\n \n \n \n \n \n Jurors' Prize\n \n \n \n \n \n $1\,500\n \n \n \n \n \n Juror’s Prize is awarded to the artist who best exemplifies the qualities that Franklin Carmichael found ideal\, incorporating diversity in their work\, using an impressionistic style\, and remaining sophisticated in their depictions of the various landscapes in our geography.  The recipient of this award should visibly be embracing\, challenging or addressing existing approaches to Canadian landscapes. \n \n \n \n \n \n Kevin J. Batchelor Emerging Artist Award\n \n \n \n \n \n $1\,000\n \n \n \n \n \n This year marks the 10th year of this award\, which has been graciously funded by the Batchelor family upon the passing of arts advocate Kevin J. Batchelor in 2015. Batchelor was a local music teacher and artist.  \nThe Kevin J. Batchelor Emerging Artist Award will be given to an emerging artist* working in either one of the 2-D mediums such as painting\, drawing or mixed media (photography excluded) and will be selected by the Batchelor family. \n \n \n \n \n \n NEW: The Philip Jackman Photography Prize\n \n \n \n \n \n $500\n \n \n \n \n \n This year marks the inaugural year of this award.  Philip was a photographer\, graphic designer and editor  for The Globe and Mail.  Philip passed away in 2022. \nThe Philip Jackman Photography Prize will be given annually to an artist working in photography\, be it digital or print\, and will be selected by the Jackman family. \n \n \n \n \n \n Norma Duggan Award\n \n \n \n \n \n $250\n \n \n \n \n \n This award is presented annually for a  landscape which exemplifies a uniqueness of artistic vision and creative approach and is executed with excellence.  Norma Duggan was an Ontario based artist who loved painting the Ontario landscape.  Eligible artworks include non-digital painting\, drawing\, printmaking\, mixed-media and collage works created by artists who are not enrolled as full-or part-time art students. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n OTHER EXHIBITIONS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n AllExhibition CurrentExhibition PastExhibition Upcoming\n\n \n \n \n \n \n \n The Many Faces of Paul Shilling: A RetrospectiveExhibition Current \n \n \n \n \n \n Drake Williams: Awaken the SpiritsExhibition Current\, Exhibition Upcoming \n \n \n \n \n \n Icons & Alter Egos: Heroes\, Villains\, and Everything In-BetweenExhibition Past \n \n \n \n \n \n Media Arts ShowcaseExhibition Past \n \n \n \n \n \n From Hand to Heirloom: The Art of CraftExhibition Current \n \n \n \n \n \n Face to FaceExhibition Past \n \n \n \n \n \n 29th Annual International Women’s Day Art ShowExhibition Past \n \n \n \n \n \n Made in OrilliaExhibition Current \n \n \n \n \n \n Tradition TransformedExhibition Past \n \n \n \n \n \n Yours to Uncover: An Ontario Road Trip | Peter Fyfe and John NottenExhibition Past \n \n \n \n \n \n John Gould: Travels of the Mind and BodyExhibition Past \n \n \n \n \n \n Voices Through Time: A Mariposa JourneyExhibition Past \n \n \n \n \n \n Tracing Places: Advertising in OrilliaExhibition Past \n \n \n \n \n \n Orillia: Then & NowExhibition Past \n \n \n \n \n \n 28th Annual International Women’s Day Art ShowExhibition Past \n \n \n \n \n \n ORILLIA LANDSCAPESExhibition Past \n \n \n \n \n \n THE SEVEN GRANDFATHER TEACHINGS: AT THE ORILLIA RECREATION CENTREExhibition Past \n \n \n \n \n \n A Collection-Inspired Exhibition: Four Seasons in OrilliaExhibition Past \n \n \n \n \n \n Gordon Lightfoot: Turning Back the PagesExhibition Current \n \n \n \n \n \n Perspectives Through Their EyesExhibition Past \n \n \n \n \n \n Heritage in Hues: Orillia’s Story Through TextilesExhibition Past \n \n \n \n \n \n Loup Garou & Mocassins | Nathalie BertinExhibition Past \n \n \n \n \n \n Behold a Man Who is a Bean | Harley DuckExhibition Past \n \n \n \n \n \n TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n OWL PEN REVISITED | GILLIAN LOWRYExhibition Past \n \n \n \n \n \n TEACHERS AND THEIR ENDURING IMPACT | JOSE SALASExhibition Past \n \n \n \n \n \n INCLUSION: AT THE STACK GALLERYExhibition Past \n \n \n \n \n \n EVERYONE HAS A STORY: TALES OF A COMMUNITYExhibition Current \n \n \n \n \n \n THE PROCESS INFORMS ME | JEANETTE LUCHESEExhibition Past \n \n \n \n \n \n PAWTRAITSExhibition Past \n \n \n \n \n \n REFLECTIONS OF OUR ROOTSExhibition Past \n \n \n \n \n \n BACKRA BLUID | STACEY TYRELLExhibition Past \n \n \n \n \n \n THE TEENAGE ZEITGEIST: At the Stack GalleryExhibition Past \n \n \n \n \n \n SYBILExhibition Past \n \n \n \n \n \n 27TH ANNUAL WOMEN’S DAY INTERNATIONAL ART SHOWExhibition Past \n \n \n \n \n \n REGENT PARK PUBLIC SCHOOL GRADE 6/7 GARDEN DESIGN PROGRAMExhibition Past \n \n \n \n \n \n ROBYN RENNIE: SEEING BEYONDExhibition Past \n \n \n \n \n \n Grant’s Legacy: Capturing Orillia’s History on FilmExhibition Current \n \n \n \n \n \n WRITING IN THE ROOM: ORILLIA’S LITERARY LEGACYExhibition Past \n \n \n \n \n \n FRIENDSHIP REDISCOVEREDExhibition Past \n \n \n \n \n \n A COLLECTION INSPIRED EXHIBITION: A CLOSE UP ON CARMICHAELExhibition Past \n \n \n \n \n \n 50 YEARS OF MARIPOSA ARTS THEATREExhibition Past \n \n \n \n \n \n STEEPED IN HISTORYExhibition Past \n \n \n \n \n \n JENNIFER ZARDO: HOME SWEET HOMEExhibition Past \n \n \n \n \n \n TED FULLERTON: THE SERPENT’S EGGExhibition Past \n \n \n \n \n \n TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n HOMAGE by Donald StuartExhibition Past \n \n \n \n \n \n ELIZABETH WYN WOODExhibition Past \n \n \n \n \n \n 26TH ANNUAL INTERNATIONAL WOMEN’S DAY ART SHOWExhibition Past \n \n \n \n \n \n RENEWAL: At the Stack GalleryExhibition Past \n \n \n \n \n \n BEYOND THE FENCE: Christine Mack and David HillExhibition Past \n \n \n \n \n \n GREAT TAIT: The True Story of Orillia’s First MillionaireExhibition Past \n \n \n \n \n \n THE MACKINAW JACKET: A Canadian Folk CostumeExhibition Past \n \n \n \n \n \n VIEWS OF ORILLIAExhibition Past \n \n \n \n \n \n THE MAN WHO COULD FLY; THE GIRL WHO FLIES IN HER DREAMS BY SYLVIA TESORIExhibition Past \n \n \n \n \n \n CARMICHAEL CANADIAN LANDSCAPE EXHIBITION: TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n EYEING MEDUSA: Amanta ScottExhibition Past \n \n \n \n \n \n EYEING OMAH’S COLLECTIONExhibition Past \n \n \n \n \n \n BURNER HERZOG: Gary Blundell and Victoria WardExhibition Past \n \n \n \n \n \n CONVERSATIONS: 150th Anniversary of the Ontario Society of ArtistsExhibition Past \n \n \n \n \n \n ORILLIA SOLDIERS’ MEMORIAL HOSPITAL POP-UP EXHIBITExhibition Past \n \n \n \n \n \n RETURN TO SENDERExhibition Past \n \n \n \n \n \n 25th ANNUAL INTERNATIONAL WOMEN’S DAY ART SHOWExhibition Past \n \n \n \n \n \n REFLECTIONS OF OURSELVESExhibition Past \n \n \n \n \n \n AMY BAGSHAW: ART INTERRUPTIONSExhibition Past \n \n \n \n \n \n FROM MARBLES TO MINECRAFT: A CENTURY OF CHILDHOODExhibition Past \n \n \n \n \n \n COLOUR WITH A UExhibition Past \n \n \n \n \n \n GOT THE TIME?Exhibition Past \n \n \n \n \n \n JILL PRICE: UNFURLEDExhibition Past \n \n \n \n \n \n WILL MCGARVEY: STICKS AND STONESExhibition Past \n \n \n \n \n \n CARMICHAEL CANADIAN LANDSCAPE EXHIBITION: TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n AT RISK: TRACEY LAWKOExhibition Past \n \n \n \n \n \n SHE SHOOTS\, SHE SCORESExhibition Past \n \n \n \n \n \n VIEWS FROM A CANOEExhibition Past \n \n \n \n \n \n THE HISTORY OF MEDICINE IN ORILLIAExhibition Past \n \n \n \n \n \n WELCOME HOME TO ORILLIAExhibition Past \n \n \n \n \n \n D. AHSÉN:NASE DOUGLAS: WE ARE STILL HERE!Exhibition Past \n \n \n \n \n \n CARMICHAEL CANADIAN LANDSCAPE EXHIBITION: TRADITION TRANSFORMEDExhibition Past \n \n \n \n \n \n DYING MATTERS:REFLECTIONS OF GROWTH THROUGH GRIEFExhibition Past \n \n \n \n \n \n SUMMER ON THE LAKEExhibition Past \n \n \n \n \n \n THE HISTORY OF ORILLIA IN 50 ARTEFACTSExhibition Past \n \n \n \n \n \n THE ORILLIA POLICE AND THE SIR SAMUEL STEELE MEMORIAL BUILDINGExhibition Past URL:https://www.orilliamuseum.org/event/tradition-transformed-2/ ATTACH;FMTTYPE=image/jpeg:https://www.orilliamuseum.org/wp-content/uploads/2025/06/CDOMITRIC2022EverchangingLands-Claire-Domitric-3.jpg END:VEVENT END:VCALENDAR